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Wall of Voodoo: Live 12" (RSD 2024)
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Wall of Voodoo: Live 12" (RSD 2024)

Wall of Voodoo: Live 12" (RSD 2024)

This rare live document of Wall Of Voodoo, available for the first time on vinyl, shows a band so wired up and finely tuned, that they could sonically hypnotize and lay waste to a live audience.

Recorded Live 11/22/1979 at the Barn, University of California, Riverside, this full-length is one of the best-recorded performance documentations of the entire L.A. post-punk scene. Mastered by the original live recording engineer Jim Hill, you can hear every guitar scrape, ring of Nanini’s triangle, pots & pans, the punch in the gut of THAT drum machine, and Ridgway’s disbelief and glare into the audience.

This live show also showcased two exclusive compositions ‘End Of An Era’ & ‘Invisible Man’ that have not appeared on any other record.

$4,400.00
Wall of Voodoo: Live 12" (RSD 2024)
$4,400.00

Wall of Voodoo: Live 12" (RSD 2024)

This rare live document of Wall Of Voodoo, available for the first time on vinyl, shows a band so wired up and finely tuned, that they could sonically hypnotize and lay waste to a live audience.

Recorded Live 11/22/1979 at the Barn, University of California, Riverside, this full-length is one of the best-recorded performance documentations of the entire L.A. post-punk scene. Mastered by the original live recording engineer Jim Hill, you can hear every guitar scrape, ring of Nanini’s triangle, pots & pans, the punch in the gut of THAT drum machine, and Ridgway’s disbelief and glare into the audience.

This live show also showcased two exclusive compositions ‘End Of An Era’ & ‘Invisible Man’ that have not appeared on any other record.

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This rare live document of Wall Of Voodoo, available for the first time on vinyl, shows a band so wired up and finely tuned, that they could sonically hypnotize and lay waste to a live audience.

Recorded Live 11/22/1979 at the Barn, University of California, Riverside, this full-length is one of the best-recorded performance documentations of the entire L.A. post-punk scene. Mastered by the original live recording engineer Jim Hill, you can hear every guitar scrape, ring of Nanini’s triangle, pots & pans, the punch in the gut of THAT drum machine, and Ridgway’s disbelief and glare into the audience.

This live show also showcased two exclusive compositions ‘End Of An Era’ & ‘Invisible Man’ that have not appeared on any other record.